. Elzhi | Detroit Hip Hop

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Elzhi

Slum Village and Remy Martin team up to support AIDS Partnership Michigan

Slum Village Aids Walk

Originally printed in Between the Lines news.

They hail from the Conant Gardens neighborhood on the East Side, and their hearts remain in their city as they travel the globe. And Detroit hip-hop group Slum Village came home last week, teaming up with Remy Martin to donate $7,500 to AIDS Partnership Michigan.

The donation, which was presented Friday at APM’s Detroit office, was part of the popular cognac maker’s Black Music Month program, which kicked off in June. Remy Martin picked 10 up-and-coming artists to play shows in their hometowns. Each artist or group picked a charitable cause, and the company made a donation on their behalf.

“It’s a big epidemic going on in the city of Detroit - and in the black and Latino community especially,” said Slum Village’s T3, R.L. Altman, explaining why the group picked AIDS as its cause.

Slum Village recorded for the Capitol Records label before going independent. It has recorded five albums to date, the latest being a self-titled disc released in 2005.

While at APM, Slum Village met 17 of the agency’s employees and learned what each did. When it was her turn to speak, executive director Barb Murray talked about the agency’s history.

“In the early days, to be blunt with you gentlemen, we helped a lot of people die,” she said. “Now we help people live.”

- Jason A. Michael

News item
Slum Village
Elzhi
T3

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Asylum 7 “Politicks” audio

Self-described advocate of “quality hip hop”, Asylum 7, with “Poli-ticks” off of his Brown Study EP.

Produced by Sleepy Biggs. Hear the message.

Asylum 7 in the Metro Times:

Primordial ooze: Asylum 7 got his start making music on the infamous Runyon Avenue on Detroit’s east side. His blue-collar style of hip-hop is rooted in fact, not fiction, and this dude is one of the most socially aware MC’s in the area right now.

Why you should really care: “Because the music is honest, yo! It’s not your typical radio and club shit. My music isn’t vain, and it’s not fabricated either. It’s the epitome of honest music created from the soul. Good lyricism without the profanity and misogynistic nonsense.”

The single: His recently released EP, Brown Study, doesn’t have a lead single, and that’s exactly the way he wants it. According to A7, he wants the whole product to stand out as one musical offering to the world. “As long as every song is just as positive as the next one, it’s all good.”

Peer-to-peer: Rocks well with the Subterraneous Crew, Elzhi, S.U.N., Metasyons, Selfsays and Leaf Erikson.

What’s next
: Still working on a yet-to-be-titled full-length album of new material. Continues to promote the hell out of Brown Study.

Audio
Elzhi
Asylum 7
Subterraneous Records

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If Detroit Rappers were the Wu-Tang Clan


D12

Despite some obvious similarities to the Wu-tang Clan, D12 really didn’t warrant comparison to the 9 man strong team as individuals.

If Detroit emcees were to band together and do a Wu tribute album (purely hypothetical) or form a parallel version of the group, this is how they would form together (like Voltron!).

    RZA - The ring leader - Has to be none other than J Dilla. Aside from fulfilling both emcee/producer capabilities, it’s the actual similarity in the quality of production and the sometimes lacklustre emceeing (see RZA on Ras Kass’ “The End”) that makes this an obvious choice.

    GZA - The wise leader - Another easy one - Less scientific but Phat Kat has been putting in work since the days of 1st Down with his old running mate droppin’ knowledge and schooling cats.

    Method Man - The star - Stole the spotlight on the initial album without necessarily knowing he would (”M-E-T-H-O-D MAN”). That would be Obie Trice. Through all the hype surrounding Eminem and D12, Obie Trice ended up being the most successful of Detroit’s Shady Records recruits. The entire package you would want to see in an emcee.

    Ghostface - If Method Man is “Star A”, Ghostface would be “Star 1A”. In Detroit’s case it would be Royce Da 5′9″. Perhaps the most prolific lyricist with respects due to Eminem, Royce like Ghostface is the underground’s king.

    Ol’ Dirty Bastard - The unpredictable one - Baatin no question. Baatin doesn’t quite have the unintentional comedy of Dirt McGirt down, but maybe that’s something he can exploit.

Wu-tang Clan

The Wu-tang Clan: One of the, if not the best, hip hop groups of all time.

    Raekwon - The storyteller - Big Herk. Easily. Both can whip up grimy tales of crime and street life and paint a picture through their words every time.

    Inspectah Deck - Quiet but deadly. This would be Elzhi. Not the type to jump on award show stages uninvited (“Wu-tang is for the children!”) or constantly seek media attention, but no less deadly on the mic. One of the group’s best emcees and considered very underrated. Hopefully Zhi comes correct on his first solo outing. Deck didn’t quite live up to expectations.

    Masta Killa - The unknown - Not many people could tell you a whole lot about Masta Killa. That fact along with the rhyme style/voice makes me think Billy Nix. The former D-Elite member is a stronger rhymer both lyrically and in flow but the subject matter and overall style are similar.

    U-God - The relatively weaker link out of a strong crew - Not that he couldn’t deliver some fire (”Winter Warz”). He had the voice, but next to some of his group members, he had no choice but to be overlooked. This one’s a hard one. Success wise I would have to say Strike. Again, good lyrical ability but didn’t get the attention his peers did. Still goin strong after his role in 8 Mile, Strike should be alright as long as he doesn’t make bad career moves like U-God did - biting the hand that feeds him (RZA) and making a travesty of hip hop (”Bump” - I won’t even link to the video) a single on your cd.

Other thoughts:

  • T3 could arguably play the role of Cappadonna, the “10th” member of Wu. They both can drop either an underrated or underwhelming verse depending on the song.
  • Proof could have also made a good Method Man. Both have a similar type of voice and could flow for days. But he also had a bit of Ol’ Dirty in him too, so he wasn’t an automatic fit.
  • Eminem just doesn’t fit into any of the Wu. He might have had he gone a different route and joined with Dru Ha and the Boot Camp Clique (another group of emcees that drew comparisons to the Wu).

Your thoughts?

Artists and Personalities
Commentary
Eminem
Royce Da 5'9"
Obie Trice
Jay Dee aka J-Dilla
Slum Village
Proof (D12)
D12
Phat Kat, Ronnie Cash
Elzhi
T3
Big Herk
Strike
Baatin

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Memories of Maurice Malone’s Hip Hop Shop

Biba Adams at the Michigan Citizen takes a stroll through Detroit Hip Hop history and brings us memories of Maurice Malone’s Hip Hop Shop from some of its alumni.

Here are memories from DJ Dez and Elzhi.

DJ Dez (Slum Village) - One of my fondest memories is just DJ’ing at the shop, when rappers were still rapping over spontaneous instrumentals. That is almost a lost art form now. The people that came from there are successful and are key players in the game in one way or another. As long as Proof’s name is mentioned and his legacy remains, people will always remember the Hip Hop Shop. The Hip Hop Shop was home for us. It was ours. When I see the movie 8 Mile, it’s a feeling to know that I played a part in that history being made.

Elzhi (Slum Village) - The Shop was the first place I heard “The Look of Love” (from Slum Village’s first album Fantastic Vol. 1). DJ Head played it and everybody just went wild. The legacy lives on because it was a place that was pure. The early 90’s was one of the golden era’s of hip hop in general. It wasn’t just mainstream or commercial, it was all about the music. The people that were in there, and that came there, were there for the love.

News item
Slum Village
Detroit Hip Hop History
Proof (D12)
Elzhi
DJ Dez

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