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D12

Producer Alpha-bet is a busy dude (free mixtape!)

Detroit’s Alpha-bet has amassed some impressive production credits lately. You can hear his work on NBA 2K8, the Speed Channel, MTV, the Discovery Channel, as well as Eminem and D12’s upcoming album.

He’s also been nominated as a Detroit Hip Hop producer of the year and has released a free mixtape - The Warm up: One Take Mixtape with artist, Delo.

This entire mixtape was recorded spontaneously during one day this July in a recording session at Detroit’s Keyz Studios. It’s a what Alpha-bet calls, “The NFL network before the game on Sunday”, leading to the street album Im Popular, coming late-fall, 2007.

Click the cover to download:

Alpha-bet, Delo The Warm Up: One Take Mixtape

Tracklisting:

1. The Warm Up Intro
2. We Walk Detroit
3. I’m Popular: the Street Album
4. Bang on the Table is a Army
5. I like the competition
6. Bitch I’m on the Grind (chop/screw hook by Alpha-bet)
7. I Will Annihilate! (skit)
8. Child of the D
9. Alpha-bet speaks
10.White Girl for a stack
11.You must train for this (skit)
12.Song for Man (keep your head up)
13.Alpha-bet speaks 2
14.Goin out Buckin

Keep up with Alpha-bet and Bang on the Table Productions at his website.

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Eminem
D12
Audio
Alpha-bet
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Kuniva - “Bad Intentions” audio

Kuniva from D12 with - “Bad Intentions”.

From his 2007 Runyon Ave mixtape.

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D12
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Kuniva

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Kuniva - “Hard as Mine” audio

Kuniva of D12 with “Hard as Mine”.

From his 2007 Runyon Ave mixtape.

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Denaun Porter on beatmaking, D12, Proof and Dilla

Denaun Porter

Two recent Denaun Porter features: here at Allhiphop and here at The Michigan Citizen.

Allhiphop asks Porter about his difficult 2006.

AllHipHop.com: 2006 was a rough year for Detroit Hiphop. Within two months of each other, both J Dilla and Proof passed away. You worked closely with both of them, how has that affected you personally?

Mr. Porter
: You gotta understand, that’s the reason that I got into the game. Proof introduced me to J Dilla. I introduced J Dilla to Dre, and just having that feeling of being able to have Dre, J Dilla, and myself in the same room, both of my teachers, was the greatest feeling on Earth. And plus, this dude [J. Dilla] allowed me to come over his house late night when he was doing sessions with Pete Rock. And Proof, me and Proof, we had the relationship where I didn’t know how proud of me he was until I he was gone. Me and him would fight. We’re one in the same, I feel like, because he taught me so much about just being able to stand on my own, and not wait on one person to do anything. That’s why I’m kind of like out ahead and not waiting on Eminem to do anything, because he told me don’t do that, that’s not the move. He helped create who I am, and J Dilla helped create who I am. I got Guilty Simpson, who me and J Dilla was gon’ do his project together. That was the last artist he planned on working with, as far as his own artists. And now that I have to finish that record, it’s tough, every time I hear a song that J Dilla did. That whole year was the worst year of my life. They’re the reason that I’m in the game, because if Proof never introduced me to Jay Dee, I never would have got that serious about producing.

Porter also reiterates the extent of disintegration in D12 in the Allhiphop interview (see related posts).

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News item
Jay Dee aka J-Dilla
Proof (D12)
D12
Denaun Porter / Kon Artis

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Kuniva - “Feeling the Rush” audio

Kuniva of D12 with “Feeling the Rush”.

From his 2007 Runyon Ave mixtape.

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If Detroit Rappers were the Wu-Tang Clan


D12

Despite some obvious similarities to the Wu-tang Clan, D12 really didn’t warrant comparison to the 9 man strong team as individuals.

If Detroit emcees were to band together and do a Wu tribute album (purely hypothetical) or form a parallel version of the group, this is how they would form together (like Voltron!).

    RZA - The ring leader - Has to be none other than J Dilla. Aside from fulfilling both emcee/producer capabilities, it’s the actual similarity in the quality of production and the sometimes lacklustre emceeing (see RZA on Ras Kass’ “The End”) that makes this an obvious choice.

    GZA - The wise leader - Another easy one - Less scientific but Phat Kat has been putting in work since the days of 1st Down with his old running mate droppin’ knowledge and schooling cats.

    Method Man - The star - Stole the spotlight on the initial album without necessarily knowing he would (”M-E-T-H-O-D MAN”). That would be Obie Trice. Through all the hype surrounding Eminem and D12, Obie Trice ended up being the most successful of Detroit’s Shady Records recruits. The entire package you would want to see in an emcee.

    Ghostface - If Method Man is “Star A”, Ghostface would be “Star 1A”. In Detroit’s case it would be Royce Da 5′9″. Perhaps the most prolific lyricist with respects due to Eminem, Royce like Ghostface is the underground’s king.

    Ol’ Dirty Bastard - The unpredictable one - Baatin no question. Baatin doesn’t quite have the unintentional comedy of Dirt McGirt down, but maybe that’s something he can exploit.

Wu-tang Clan

The Wu-tang Clan: One of the, if not the best, hip hop groups of all time.

    Raekwon - The storyteller - Big Herk. Easily. Both can whip up grimy tales of crime and street life and paint a picture through their words every time.

    Inspectah Deck - Quiet but deadly. This would be Elzhi. Not the type to jump on award show stages uninvited (“Wu-tang is for the children!”) or constantly seek media attention, but no less deadly on the mic. One of the group’s best emcees and considered very underrated. Hopefully Zhi comes correct on his first solo outing. Deck didn’t quite live up to expectations.

    Masta Killa - The unknown - Not many people could tell you a whole lot about Masta Killa. That fact along with the rhyme style/voice makes me think Billy Nix. The former D-Elite member is a stronger rhymer both lyrically and in flow but the subject matter and overall style are similar.

    U-God - The relatively weaker link out of a strong crew - Not that he couldn’t deliver some fire (”Winter Warz”). He had the voice, but next to some of his group members, he had no choice but to be overlooked. This one’s a hard one. Success wise I would have to say Strike. Again, good lyrical ability but didn’t get the attention his peers did. Still goin strong after his role in 8 Mile, Strike should be alright as long as he doesn’t make bad career moves like U-God did - biting the hand that feeds him (RZA) and making a travesty of hip hop (”Bump” - I won’t even link to the video) a single on your cd.

Other thoughts:

  • T3 could arguably play the role of Cappadonna, the “10th” member of Wu. They both can drop either an underrated or underwhelming verse depending on the song.
  • Proof could have also made a good Method Man. Both have a similar type of voice and could flow for days. But he also had a bit of Ol’ Dirty in him too, so he wasn’t an automatic fit.
  • Eminem just doesn’t fit into any of the Wu. He might have had he gone a different route and joined with Dru Ha and the Boot Camp Clique (another group of emcees that drew comparisons to the Wu).

Your thoughts?

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Artists and Personalities
Commentary
Eminem
Royce Da 5'9"
Obie Trice
Jay Dee aka J-Dilla
Slum Village
Proof (D12)
D12
Phat Kat, Ronnie Cash
Elzhi
T3
Big Herk
Strike
Baatin

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Mr. Porter in the Detroit News

The Detroit News features a story on Denaun Porter and his new MrPorterBeats.com website in today’s edition. The story doesn’t cover anything about the site that already hasn’t been said (see related articles below), but it has some interesting D12 and Eminem information along with some future projects.

D12 is’ currently “on hold,” he says. Their forthcoming third album is 70 percent done, by his estimation, but so far boasts no input or content from Eminem, whom Porter says he hasn’t spoken with in some time.

“The last time I talked to him? I don’t even remember. It’s been a couple of months,” he says.

The D12 album will be finished after Eminem’s next album - rumored to be awaiting a holiday release - is finished. In the interim, Porter worked on Pharaohe Monch’s upcoming album, as well as projects by Detroit rapper Guilty Simpson and Detroit/New Jersey duo Nu World Hustle.

But Porter also is keeping his eye on the ‘Net, and plans to unveil a Web site similar to mrporterbeats.com next month, this time with the goal of helping budding producers.

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Eminem
D12
Guilty Simpson
Denaun Porter / Kon Artis

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Denaun Porter’s MrPorterBeats.com is open for business

Denaun Porter, also known as Kon Artis of D12 and Mr. Porter at his Runyon Ave label, has launched MrPorterBeats.com and as of today it’s open for business.

On the website’s accompanying promotional writeup is a brief summary of Mr. Porter’s most popular production credits:

  • 50 Cent “P.I.M.P” (Shady/Aftermath)
  • G-Unit “Stunt 101″ (G-Unit/Interscope)
  • Young Buck “Look At Me Now” (G-Unit/Interscope)
  • Xzibit “Multiply” (Columbia)
  • Game “Around The World” (Interscope)
  • Busta Rhymes “They’re Out To Get Me” (Aftermath)

Denaun Porter is officialy a heavyweight in the world of hip hop production… and he’s giving back.

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Artists and Personalities
D12
Denaun Porter / Kon Artis

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