. 2007 May | Detroit Hip Hop

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May 2007

Benzino talks about working with Eminem; Campaigns for relevancy

Reeling off one ‘L’ after another, Benzino (remember him?) speaks to SOHH.com about controversy, lawsuits and possibly working with Eminem.

“I don’t got no beef with nobody,” he told SOHH. “I just wanna do music. I just wanna keep moving forward.”

You’ve read right. Zino says he doesn’t have beef with anyone, even his longtime nemesis Eminem.

“I think if me and Eminem ever got together, it would not only be big for hip-hop, it would just be big for society,” Benzino said. “Hip-Hop is a bridge to white and black races. I think there’s still a lot of youth out here confused about race in America and with him being as influential as he is, as far as who he represents and vice versa, I think it would do good for a lot of kids.”

“I think we’ve made a lot of strides as far as race relations in America,” he continued, “but I think we have a long way to go and I think he can be a very important voice to make that happen. If it was to ever happen, I’d be with it.”

Insert your own punchline here.

A Benzino/Eminem collaboration would definitely not be big for hip hop or society. It would only serve as CPR for Benzino’s career. As far as Benzino being an ambassador for race-relations, that bridge has been burned. If he truly had gone at Eminem for his possible racist tendencies and not created a circus in an attempt to advance his own career, he may have gotten some support in that regard. Now without a strongly circulated magazine, Benzino is as desperate as ever.

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Commentary
Eminem

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Obie Trice plans on releasing “Bottom’s Up” next year

MTV has news on Obie Trice in their weekly Mixtape Monday column. Obie reveals his plans on recording and releasing his next project entitled Bottom’s Up.

All is quiet in the Shady camp at the moment — besides the hailstorm of publicity that Shady/Aftermath artist 50 Cent has been stirring up, Eminem and D12 are playing it low-key.

But that hasn’t stopped Obie Trice from gearing up for his next project, Bottom’s Up. He’s a few songs deep and hopes to be able to drop the album by the top of next year. Obie has only been in the lab with Daz Dillinger so far, but it’s another vet he’s recently linked with — former Suave House CEO and current Clipse manager Tony Draper — that has the Detroit rhyme-slinger thinking about the big picture.

“I’m in the makings with him about doing some management [for me],” Obie said of Draper. “We working some things out. It’s a good look. He knows a lot of people and knows how to move things around. He’s been out here for a minute, so that’s a good look as far as I go. I’m just trying to branch out and get in this game correctly.

Obie Trice

“I don’t really know a lot of artists — I’m in Detroit,” Obie continued. “It’s not Atlanta, where everybody is everywhere, or L.A. or somewhere like that. I actually think it’s time for me to start branching off and start connecting with cats. Getting my collaboration on and working with some hot producers — unknown and known — and just make them joints that feel good and that are radio. I just want to make that transition.”

With that goal in mind, Obie has compiled a wish list for Bottom’s Up that includes Eminem, Young Buck, Akon, Jazze Pha, and Devin the Dude. He also told us he’d ultimately like to be the type of artist who gets invited to perform at award shows and talked about for having the song of the year.

But Obie’s in no rush to pull a crossover move. He recently leaked his latest joint, “Detroit Summer,” which will also be on his next mixtape with DJ Whoo Kid, The Most Underrated (earlier thought to be scrapped). Obie revealed a few tracks he’s working with, like the cautionary “Short Distance” and “Hold Up.”

” ‘Short Distance’ just talks about how a short distance it is between being right and being wrong and what’s disrespecting a man and what’s not,” Obie explained. “It’s like a short distance between living life and not. Just that quick something can happen when you trying to back a person against a wall.

” ‘Hold Up’ [has] a real banging bass line with a constant freestyle, like a different type of flow,” he continued. “A verbatim, repetition-type flow. It crazy, something different. There’s a few joints I got.”

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Obie Trice

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Black Milk, Bishop Lamont “Caltroit” audio

Black Milk and Bishop Lamont of Aftermath are embarking on their joint project Caltroit.

This is the first offering. Black Milk along with Bishop Lamont with the title track “Caltroit”.

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Black Milk

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Slum Village: Past, Present and Future

Rob Simonsen of the Portland Mercury takes a quick look at Slum Village’s past, present and future in this report.

Slum Village

He has a dim view of the duo after Dilla.

Nowadays, Slum Village seems outdated. Forever known as the group that launched Dilla’s career, the loss of their chief producer left them a mere copy of themselves—identical, yes, but a little less sharp than the original. They’ve stuck closely with their neo-soul formula, which after eight years doesn’t sound as refreshing as it did when it first hit the scene. Functioning more as a tribute to Dilla’s talent than as their own relevant force, Slum Village might need to stop relying on the past to push them through to the future, if they ever hope to regain any of their early successes.

Simonsen might be wishing for a newer nostalgic Slum sound but hopefully he doesn’t miss out on the lyrical evolution of the group, brought on in part by newcomer Elzhi.

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Jay Dee aka J-Dilla
Slum Village

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